…while using thoughtful lighting, color, and composition. I’m drawn to images that tend to be darker and dramatic, which is often labeled as cinematic. …
…I am a commercial and editorial retoucher and all-around opportunist in the photography world – I also teach retouching, shoot a range of genres related…
…at its best. In this way, I was able to compare these two settings, while keeping in mind my initial goal of having colour blend…
…plan ended up a bit differently, probably due to the little Elinchrom ONE he carried in his luggage. When I packed my gear for the…
…opportunities further, so when our friend Andrew offered to help us get familiar with bikes, I brought my lights along, anticipating some potential action shots….
Elinchrom Ambassador Emily Teague has amassed an impressive portfolio and story in her 7 years of shooting. Since she was 16, Emily has been experimenting…
…in my work. When asked my go-to modifier though, I tend to choose my Rotalux Deep Octa Softbox 100cm (39″). I’ve found this modifier to…
…The composition of this image has her walking towards that light which I prefer to her walking towards the shadow. “This lighting setup created some…
…light will hit it, then bounce back down to fill in this image. The past few years I’ve been studying and romanticizing culture in the…
…model and cat friend were properly lit and the wall behind her. The last example is from a portrait shoot my beautiful friend, Cassie, hired…
