…grid reflector and a CTO gel. This combination mimicked the light from the vintage fresnel. To prevent lens flare, I used a 50x75cm (20-30”) piece…
…to try and shoot this without a strobe, these would be extremely challenging conditions. The background would have been completely blown out if I had…
…because the grid blocks the diagonal beams and all of the light is coming from the back of the modifier forward. You can see evidence…
…portrait if that makes sense. For example, for one assignment, I had to photograph a woman who had lost her husband to COVID-19. I had…
…an outer diffuser and has a grid allowing you to control the direction of light. It’s very light and compact-able which allows carrying it around…
…for an edgy, off guarded feel found more commonly in fashion. The inner beauty To capture those intimate moments, I love to chat with my…
…lucid dream. I didn’t always do this, but I think it’s a great habit to develop. Learning to use color effectively, rather than simply capturing…
…my lighting is a critical component to my approach. For me, the greatest challenge in commercial photography is creating images on a schedule. We gather…
…outside! Think outside the box. The idea of a self-portrait that shows your face is scary. Be creative Once you have your gear set up,…
…I am a commercial and editorial retoucher and all-around opportunist in the photography world – I also teach retouching, shoot a range of genres related…
