…my lighting is a critical component to my approach. For me, the greatest challenge in commercial photography is creating images on a schedule. We gather…
…indoors, and the ONE is the perfect companion for these situations. The unconcealed flash tube For most of my portraits, I like using Softboxes. When…
…campaign. Crafting is a huge part of the life of each artisan; it is part of their culture and identity. Everything they create comes from…
…a simple two-light setup, but it did the trick for a fake sunset. Support of your people We fail to recognize is the incredible…
…I am a commercial and editorial retoucher and all-around opportunist in the photography world – I also teach retouching, shoot a range of genres related…
…outside! Think outside the box. The idea of a self-portrait that shows your face is scary. Be creative Once you have your gear set up,…
…Zaha Hadid, Swarkowski, and Adidas amongst others. I think my success with lighting well in small spaces comes from the fact that I used to…
…lucid dream. I didn’t always do this, but I think it’s a great habit to develop. Learning to use color effectively, rather than simply capturing…
…for an edgy, off guarded feel found more commonly in fashion. The inner beauty To capture those intimate moments, I love to chat with my…
…lighting with optional Rotagrid 30° grids, designed to precisely control and reduce light spread. This feature is ideal for photographers specializing in flash photography, enabling…
