…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…Beauty Dish Reflector 44cm (17.3″), added as an experiment during the light test provided an excellent outcome, adding the ‘commercial touch’ I was trying to…
…ONE: The lightweight companion The Elinchrom ONE is the lightest and most compact of the three units, weighing in at just 1.5 kg. Despite its…
…if I could execute an idea regardless of what the weather was like. The idea was to shoot trail running and create a series of…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…going to share three ways you can use umbrellas in your work for years to come. Umbrellas primarily come in two varieties – shallow and…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…because the grid blocks the diagonal beams and all of the light is coming from the back of the modifier forward. You can see evidence…
…for it to get dark before coming back to shoot. The action in these images was minimal and with the scene being completely dark, overpowering…
…grid reflector and a CTO gel. This combination mimicked the light from the vintage fresnel. To prevent lens flare, I used a 50x75cm (20-30”) piece…
