…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…going to share three ways you can use umbrellas in your work for years to come. Umbrellas primarily come in two varieties – shallow and…
…because the grid blocks the diagonal beams and all of the light is coming from the back of the modifier forward. You can see evidence…
…grid reflector and a CTO gel. This combination mimicked the light from the vintage fresnel. To prevent lens flare, I used a 50x75cm (20-30”) piece…
…The Elinchrom Grid Kit 21cm (8.3’’), which includes a 30°, 20°, and 12° grid, complete with a convenient carrying bag. Each grid angle plays a…
…up until then it was more about documenting what I saw, then it was taking an idea for an image and then create it. As…
…is never compromised by practical constraints. “With the FIVE, I can focus entirely on the creative process, ensuring that the aesthetic vision is never compromised…
…indoors, and the ONE is the perfect companion for these situations. The unconcealed flash tube For most of my portraits, I like using Softboxes. When…
…campaign. Crafting is a huge part of the life of each artisan; it is part of their culture and identity. Everything they create comes from…
…panel (for the white and silver) or a reflective panel (for the translucent), essentially turning them into an incredibly portable softbox. Comparison Silver for fashion…
