…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…unlock endless creative possibilities. From replicating the golden hour’s magical glow to exploring dramatic contrasts and freeze-frame effects, there’s no limit to what you can…
…a staple in my work. I’ll start by sharing with you how umbrellas differ by comparing images from a recent test and then I am…
…my backlight, I was not relying on it to freeze the action. With the ease of communication with Guy, we were able to quickly get…
…measure helps us determine that the tip of the “cone” is about 54cm (21”) from the 70cm silver reflector and around 70cm (27”) from the…
…shadow. The Concept I’ve always been drawn to sports images shot at night as they are not the most common. In the fall, my friend…
…grid reflector and a CTO gel. This combination mimicked the light from the vintage fresnel. To prevent lens flare, I used a 50x75cm (20-30”) piece…
…consideration typically involves color harmony, which suggests that adhering to certain rules can achieve aesthetically pleasing color combinations. One common approach is to select complementary…
…up is a classical portrait light on the model. A small softbox on the Elinchrom FIVE coming from camera left, and a reflective screen to…
…is never compromised by practical constraints. “With the FIVE, I can focus entirely on the creative process, ensuring that the aesthetic vision is never compromised…
