…is never compromised by practical constraints. “With the FIVE, I can focus entirely on the creative process, ensuring that the aesthetic vision is never compromised…
…comes to lighting, I’ve learned it’s often best to say, “Ok, this looks great! What if we try something else?” I love the four light…
…indoors, and the ONE is the perfect companion for these situations. The unconcealed flash tube For most of my portraits, I like using Softboxes. When…
…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…a key light in various compositions he worked on. With a simple and ingenious configuration, check out what Aakaash could produce. After almost two years…
…avoid getting multiple shadows that are very common with LEDs, similar to that found on the Elinchrom ONE. The OCF Diffusion Dome is also helpful…
…use. In combination with an Elinchrom ONE, Anthony experimented a simple outdoor setup for outstanding results. As a photographer, I’m curious and always aware of…
…two Rotalux Go Recta, in combination with an Elinchrom ONE and an ELC 125, Anthony experimented a basic still life setup for food photography. Why…
…the Rotalux Go range: the Strip (35x75cm). I set myself a photography challenge during a complete journey with just that gear in hand. I had…
…which will likely result in diminished image quality. This is where flash duration comes in. So if you can imagine that you’re in a completely…