…added a second V-Flat, white side out on my right for fill. It was close but not too close in order to bounce back the…
…just requires you to decide ahead of time on what gear you will use. I also had a second light on hand, an Elinchrom ONE,…
…you can see the white surface of the softbox, then the light can see you. If you can’t see it, on this particular setup, then…
…further fine-tune the beam spread and exert precise control over the light on set. Elinchrom offers both 18cm and 21cm versions of these reflectors. The…
…or two, coloured lights on the background. “The change in set up between these four images all took less than a minute.” The first set…
…college years. These lights served me well in the studio. However, as my career evolved and commissions increasingly took me to the homes of celebrities,…
…travelled for over 30 hours. The filming had not even yet begun. Having finally reached our destination, a very sparse accommodation, the host’s warmth and…
…both from Elinchrom, my camera and not much else. While the Geologists got to work trying to figure out what made the majority of the…
…eyes! This series ultimately ended up on the cover of a photo magazine and included an interview inside. So, that was definitely the cherry on…
…well for actually seeing where to run. We set up an Elinchrom ONE with the bare bulb and turned on the modelling light. By setting…
