…for it to get dark before coming back to shoot. The action in these images was minimal and with the scene being completely dark, overpowering…
…having no prior experience, dove into discussions and hands-on practice with artificial light. This segment not only demystified the complexities of artificial lighting but also…
…a choice between translucent, opaque (white), silver, or gold deflectors. With this design, all of their lights, except the ONE and THREE, are compatible with…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…going to share three ways you can use umbrellas in your work for years to come. Umbrellas primarily come in two varieties – shallow and…
…avoid getting multiple shadows that are very common with LEDs, similar to that found on the Elinchrom ONE. The OCF Diffusion Dome is also helpful…
with Felix Kunze Check how photographer Felix Kunze creates images with just one single light-shaper. Explores the differences between shallow and deep light shapers, while…
…indoors, and the ONE is the perfect companion for these situations. The unconcealed flash tube For most of my portraits, I like using Softboxes. When…
…with one specific style, as I try to innovate as much as I can. I like to get out of my comfort zone and try…
Thanks to HSS, you can now control your environment. Many natural light photographers fear artificial light because it requires more time to setup and it…
