…to try and shoot this without a strobe, these would be extremely challenging conditions. The background would have been completely blown out if I had…
…Beauty Dish Reflector 44cm (17.3″), added as an experiment during the light test provided an excellent outcome, adding the ‘commercial touch’ I was trying to…
…director of AdrenalMedia.com an International Media Agency for clients such as Le Mans 24Hr and the FIA World Endurance Championships, MotoGP, Fujifilm, Sony, the Clipper…
…ONE: The lightweight companion The Elinchrom ONE is the lightest and most compact of the three units, weighing in at just 1.5 kg. Despite its…
…and impactful imagery often begins with us moving outside our comfort zones, exploring new techniques, and incorporating personal stories and styles. Recently, amidst the numerous…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…going to share three ways you can use umbrellas in your work for years to come. Umbrellas primarily come in two varieties – shallow and…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…a choice between translucent, opaque (white), silver, or gold deflectors. With this design, all of their lights, except the ONE and THREE, are compatible with…
…for it to get dark before coming back to shoot. The action in these images was minimal and with the scene being completely dark, overpowering…
