…entrance, and so on. Everything becomes more complicated, more extreme in such circumstances, but the landscapes and encounters make it all worthwhile. “The Elinchrom FIVE…
…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…to try and shoot this without a strobe, these would be extremely challenging conditions. The background would have been completely blown out if I had…
…Beauty Dish Reflector 44cm (17.3″), added as an experiment during the light test provided an excellent outcome, adding the ‘commercial touch’ I was trying to…
…and impactful imagery often begins with us moving outside our comfort zones, exploring new techniques, and incorporating personal stories and styles. Recently, amidst the numerous…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…going to share three ways you can use umbrellas in your work for years to come. Umbrellas primarily come in two varieties – shallow and…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…I learned more about the art of lighting, I could play around with angles and positions and give my model completely different characters depending just…
…is never compromised by practical constraints. “With the FIVE, I can focus entirely on the creative process, ensuring that the aesthetic vision is never compromised…
