…cheek, nose, and around her eye help to sculpt her face and create a more intense mood. I put both layers of diffusion that come…
…but it doesn’t compromise on strength or quality of light. Make things easier I run a workshop called “Play to Learn”, and for the…
…like an Umbrella. It comes with a diffusion layer and a grid. Everything you would need to work with is already there. To get set,…
…to set, and easy to use! The challenge: Doing something I never did To achieve that journey, I had to go out of my comfort…
…fun to mix colored gels with the vibrant clothing of a powwow dancer. We had talked about a few different ideas, but the use of…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…the side of her body, and the side of her head. These shadows create a more three-dimensional look and flatter the model. Here’s another example…
…to avoid the image from getting too flat. Having Black V-Flats on either side of her also helped to bring those shadows in and help…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…for it to get dark before coming back to shoot. The action in these images was minimal and with the scene being completely dark, overpowering…
