…Diffuser. The light seems to have the same specularity and detail as the white umbrella with the diffuser, but it retains the contrast of the…
…face during post-production to make it stand out from the background and ensure her eyes are not the darkest part of her face. Consequently, there’s…
…in a group, we were thrilled with how the ONE handled our workflow. “The ONE has made me love the magic of one light all…
…take centre stage.” I love how the lighting gets everyone involved on location; my fiancée Mandy helped out, and I like to engage with local…
…15% of the battery charge of the ONE in the entire day. The ONE Using the Elinchrom ONE on location was amazing. The light is…
…one you use most frequently and the one that appears most effective to you? My set up, just like my images, always change. But the…
…exposure compensation on the Transmitter. We can now create our dramatic shots easily while the camera and the Transmitter Pro do most of the technical…
…As he said to us, “I wanted to test it in really tough conditions. The trek gave me the chance to use the ELB 1200…
…Umbrellas 6 Umbrellas, 16 Renderings Each and every one of the six models are entirely different. They all have the same easy-to-use opening system of…
These light shapers are perfect for the detail-oriented photographer, who demands optimum results. The Elinchrom Litemotiv Direct Softboxes are ideal for portraiture, since its form…
