Elinchrom LED 100 C Review: The Go-To Light for Photographers, Videographers & Content Creators

When Anthony Passant, our brand ambassador, first tested the Elinchrom LED 100 C, he did not expect it to change the way he worked.
Anthony, shares his on-field experience with the Elinchrom LED 100 C, the new portable continuous light designed for photographers and content creators. For his first projects with it, he put the LED 100 C to the test across different environments and styles, adapting effortlessly to each challenge. Discover his journey and impressions about the Elinchrom LED 100 C.

Food Photography: A Chef, a Feast, and the Right Light

I have always been a food lover—good meals, rich flavors, the kind of dishes that make you stop and savor every bite. When my friend, a professional chef, agreed to help me with a food photography shoot, I knew we had to create something truly appetizing.  

We put together a dish that was rich, indulgent, and full of texture. The kind of plate that makes you hungry just looking at it, which is exactly what I needed the light to capture.  

Shooting with the LED 100 C felt completely natural. With continuous light, I could see exactly how the shadows and highlights played across the dish. If a reflection was too harsh or the texture was not popping enough, I was able to fix it right on the spot. No test shots, no guesswork— real-time control.  

In addition, since I could tweak the color temperature instantly, I could go from a warm, inviting glow to a cooler, crisper tone with just a turn of the dial. It let me shape the mood of the image without touching a single filter or setting.  

“By the end of the shoot, I wasn’t just happy with the results—I was wondering why I hadn’t worked this way sooner.”

Corporate & Lifestyle: The Perfect Timing

A few days later, my friend Julie reached out. She needed both photos and videos to promote her business. The timing could not have been better. It was the ideal opportunity to see if the LED 100 C could handle both without slowing me down.  

Normally, switching between portrait photography and video means adjusting the entire lighting setup—moving lights, changing modifiers, making sure nothing flickers on camera. This time, I did not change a thing.  

I set up the light for her portraits, captured the shots, and when it was time for video, I simply hit record. The lighting stayed exactly as I wanted—natural, flattering, no sudden shifts.  

It made the whole process seamless. Instead of breaking the flow of the shoot with adjustments, we just kept going. That is the kind of experience, which makes both photographer and client happy.  

Sport & Fitness: A Freezing Parking Lot and a First-Time Model

Then came one of the most exciting opportunities—I got to photograph an athlete from Ninja Warrior.  

Not only was she incredible to work with, but this was also her first-ever professional shoot. The only catch? It was freezing outside, and we were shooting in my parking lot, which felt more like an icebox that day.  

Despite the cold however, she absolutely nailed it. She held strong poses, moved with precision, and stayed focused the entire time. And with the LED 100 C, I could bring in some extra color effects without the hassle of gels.  

I played with subtle hues to add depth to the images, all while seeing the results in real time.

“Since the light is continuous, there was no trial and error—I could just adjust as we worked, keeping the momentum going. “

It was not just about capturing great shots; it was about keeping the energy alive, making sure she felt confident, and working efficiently in an environment where no one wanted to stand around too long.  

Final Thoughts: A Light That Works How I Work

After these three shoots, what stood out the most was not just the versatility of the LED 100 C—it was how easily it fits into my way of working.  

 I did not have to adapt to the light. It adapted to me.  

Whether it was food, corporate work, or an intense fitness shoot, I never felt like I was fighting with my gear. Instead, I was focusing on the shoot, making quick adjustments, and staying in the creative flow.  

I did not expect to feel this strongly about a light, but after using it, I do not really want to work without it. It is simple, reliable, and makes my job easier.  

In the end, that is what really matters